The ultimate companion to John Carpenter’s "The Thing", digging deep into the proverbial iceberg to enhance your viewing experience with new insights, stories, and revelations.

The ultimate companion to John Carpenter’s "The Thing", digging deep into the proverbial iceberg to enhance your viewing experience with new insights, stories, and revelations.

Julia, a gifted mathematician navigates the cutthroat world of academia. Pascal, a teaching assistant, recruits her to join an exclusive training program for the prestigious and notoriously difficult Putnam mathematics competition.

A police detective is trying to locate his missing daughter, while solving other cases.

The twelve-year love story of two individuals with completely opposite personalities who unexpectedly met on a group blind date.

Love and marriage bloom in a game of truth with a woman who lives a fake life and a woman who tries to reveal it.

The Vatican sends a priest to verify some miracles, performed by a woman who has been nominated for sainthood...

Every machine needs fuel.... Every machine needs repair... Every machine breaks down.

The Third Memory, 2000. Two-channel video projection, with sound, 9 min., 32 sec.; single-channel video with sound, 22 min., 30 sec.; and thirteen inkjet prints, edition 2/4, dimensions variable. 　　Using time, memory, and the texture of everyday experience as his mediums, Pierre Huyghe conflates the traditional dichotomy between art and life. Working in an array of cultural formats—from billboards and television broadcasts to community celebrations and museum exhibitions—he reformulates their codes and deploys them as catalysts for creating new experiential possibilities. A mode of perception that lies in the interstices between reality and its representation is the subject of his two-channel video, The Third Memory (2000), which reenacts the 1972 hold-up of a Brooklyn bank immortalized in Sidney Lumet’s acclaimed film Dog Day Afternoon (1975). Almost 30 years later, Huyghe provides a platform for the heist’s charismatic mastermind, John Wojtowicz, to relate his version of that infamous day in a reconstructed set of the bank. However, rather than clarify the personal history that Hollywood wrested from him, Wojtowicz appears to have been heavily influenced by the film, a testament to the inextricable merging of real events, the distortions of memory, and the mediating power of popular culture.

The Set-Up is Kathryn Bigelow's student film at Columbia about the exploration of 'why violence in cinematic form is so seductive'. It featured two men beating each other to a pulp in a dark alley, while two professors analyzed the philosophy of it all on the soundtrack.